"And if you gaze for long into an abyss, the abyss gazes also into you." ~Friedrich Nietzsche
Showing posts with label solar. Show all posts
Showing posts with label solar. Show all posts
Tuesday, 19 February 2013
On Planets and Wandering Stars...
There are few people today that don't know the planets are not stars, that they are solid or gas bodies that circle the same star as we do, that their light is the reflection of the sun's light, not light of their own. But in ancient times, this wasn't known. They looked like very bright stars, but they didn't move like stars, they changed location against the backdrop over time, giving them the name planetes in Greek, Wanderers.
There were five Wanderers, Mercury, Venus, Mars, Jupiter, and Saturn. Neptune and Uranus and the other bodies beyond Saturn are not easy to find if you don't know they're there, as they move against the stars so slowly and are so dim. The sky was populated by the myriad stars, the Five Wanderers, the Moon, and the Sun. Seven bodies that wander against a backdrop of stars.
There is a god in Greek mythology worth noting here, Astraeus. He is the Dusk, and his wife is Eos (or, Aurora), the Dawn. Their children are what is to note here. The stars, the Wanderers, and the Winds. And Eos' brother, Helios, is the Sun, and sister, Selena, is the Moon. The connection of the winds to the Wanderers and stars is significant, but I won't address that here.
Astraeus was a Titan, god of astronomy and all things in the sky. His either sun of Krios (the Ram, Aries, and the Pillar of the South, Aries rising in the South in Summer, beginning of the Greek year) and Eurybia (mastery of the sea, sailing, navigation), or of Tartaros (underworld) and Gaea (earth), depending on the source.
The Wanderers are often used in magic and workings in many traditions. Anyone who has studied anything about Western Astrology will find quickly that the location of the planets against the backdrop of the Zodiac is very important in Western Astrology, both their current position and their position at the time you were born. Ceremonial magic and much of modern witchcraft (heavily influenced by ceremonial magic and by the grimoire tradition) work with not just the location against the stars and the time of rising and setting, but with the days and hours they are said to rule. This is the main discussion I'd like to address in this article.
Now, Grimr is founded on personal observation more than anything, so the position against the stars, and the position in the sky and rising and setting are of importance to me, but the days and hours they rule less so. I will come back to this after we look at the details of the ruling planet system below. Do note this is a brief summary, not exhaustive, and that I don't necessary know all the details so may misrepresent or misstate details. So, as always, do your own research if this speaks to you, figure it out yourself and how to use it, and experiment to see how it works for you. The below is a summary of concepts, not a reference for workings.
As I discussed above, there are seven moving objects against the backdrop of the stars, the Wanderers, the Moon, and the Sun.
The sun and moon are often focused on when looking back at ancient religions and traditions. We often look at them as Solar Cults or Lunar Cults, and talk of the struggle between matriarchal Lunar cults and patriarchal Solar cults. This of course breaks down, as there are plenty of cultures with solar goddesses and lunar gods. It also breaks down as you begin to analyze the stellar elements of the "Solar" and "Lunar" cults. But we won't go there now.
The remaining five objects, the Wanderers, are of course our subject. We have what are today named Mercury, Venus, Mars, Jupiter, and Saturn. These names are of course the Roman names, but the choices are a bit odd, as patterns between them are missing. Saturn was the head of the Roman Titans, Kronos of the Greeks. He was overthrown by the Olympians, led by Jupiter, Zeus of the Greeks. But Venus and Mars, the goddess of beauty and love and the god of war are a different pattern from the first. And finally, Mercury, Hermes of the Greeks, the messenger of the gods.
The above description of Saturn and Jupiter was translated onto the two from Greek myth. Jupiter was Saturn's son, but the overthrow was missing in Etruscan and Roman myth before the bringing in of Greek myth. There are two versions, one of Saturn ruling Rome or Italy and being overthrown by Janus, the other of Janus ruling and Saturn being overthrown by Jupiter in Greece and coming to Italy as a fugitive. In the latter, he brought agriculture with him, introducing it to Italy. He is a god of agriculture, and a law giver, bringing order to the fauns and nymphs of the hills of Italy. Saturn had two consorts, Ops, Greek Rhea, goddess of wealth, abundance, and resources, and Lua, goddess of destruction, dissolution, and loosening. These show Saturn's two sides, on one side, as god of agriculture, he creates and provides, on the other, he destroys.
Jupiter is also Jove. He was the twin of Juno, his wife, Hera of the Greeks. He was the god of the sky, or specifically of storms. Numa Pompilius, born on the day of Rome's founding and elected King after Romulus' death, when bad weather threatened to ruin the harvest, got Picus and Faunus to assist him and evoked Jupiter. He made a deal with Jupiter for a shield to protect from lightening, in exchange for sacrifices. This is a basis for the sacrificial laws in Rome. The Ides of each month, the midpoint, were sacred to him. This is important, as the month was a lunar month originally, and the Ides are the Full Moons. His consort, Juno, is protector and councilor of the Roman state. The symbolism and a shield and of protector of Rome should not be ignored.
Mars, the god of war, does have a connection with Jupiter. The earliest triad was Jupiter, Mars, and Quirinus, later changed to Jupiter, Juno, and Minerva. Quirinus is the Wielder of the Spear, and was later used as an epithet for Janus. Quirinus was probably the god of war of the Sabines, the people Numa was of, who joined with Romulus and Remes' people for the Roman state. The month of March is named for Mars. Minerva was born of Jupiter alone, from his forehead, but Mars was born of Juno alone, using a magic flower. March was the first month in the Roman calendar, the the first of March, Mars' birthday, was the day for honouring childbirth. Mars is not the destructive masculine force Ares is usually seen as, but a god of military strategy, of defending of agriculture, and of plant life. Ares is said to be the father of Romulus and Remus.
Venus is not quite the same as Greek Aphrodite. She is, as Aphrodite, the goddess of love, beauty, sex, and fertility, but also of prosperity and victory. There's a martial aspect to her, as with all of the above. The connection to Roman is interesting, as myth says her son was Aeneas, who survived the fall of Troy and came to Italy. Romulus and Remus claim descent from him, through their human mother. She was born of sea foam, so had no parents, unless you argue Neptune to be the sea itself. Her month is April, and her day is April 1. She is a goddess of vegetation, also a common thread above, in relation to fertility. In some myths, Ares is her consort, in others Vulcan. But it's interesting to note that early myths describe the planet Venus, the Morning and Evening Star, as Lucifer and Vesper. But Lucifer was said to be as beautiful as Venus, and later, Venus is used for the Wanderer.
Mercury, the messenger of the gods, the god of travelers, boundaries, commerce, financial gain, poetry, eloquence, communication, divination, luck, trickery, and thieves. He is the son of Jupiter and Maia. He was mediator between man and the gods. His feast was May 15th, the Ides of May. The progression of March for Mars, April for Venus, and Mercury's day in May is interesting. It's easy to see his importance in Roman, as mediator.
Most of the world has a seven day week. This becomes fairly logical when you look at older cultures. Each Moon cycle is about 28 days. If you measure from the Dark Moon to the First Half Moon, from the Half to the Full Moon, from the Full to the Second Half Moon, and from the Half to the Dark Moon, you find four periods of approximately seven days. Seven becomes a natural division point within each Moon, each Month, four seven-day weeks. There's no proof this is the origin, but there's logic to it based on observation. Other cultures used five-day and ten-day weeks, but these have faded from use in most places. But Western Astrology, and most Western Mystery, Esoteric, and Occult traditions, and most Western religions (including Middle Eastern) grew up in or evolved into a seven day week. The correspondences we are discussing are within that system.
The number seven for the number of days in the week and the number seven for the seven moving objects is an easy connection. Each day became dedicated to one of these, or more accurately, named for the god behind it. Sunday is dies Solis, day of the Sun. Monday is dies Lunae, day of the Moon. Tuesday is dies Martis, day of Mars. Wednesday is dies Mercurii, day of Mercury. Thursday is dies Jovis, day of Jove, or day of Jupiter. Friday is dies Veneris, day of Venus. And Saturday is dies Saturni, day of Saturn.
But our English names are based on the Northern gods, not the Southern. Sunday is Sunnandaeg, Sunna's Day. Monday is Monandaeg, Mani's Day. Tuesday is Tiwesdaeg, Tiw's Day, Tyr's Day. Wednesday is Wodnesdaeg, Woden's Day, Odin's Day. Thurday is Thunresdaeg, Thunos's Day, Thor's Day. Friday is Frigedaeg, Frige's Day, Frigg's Day. Saturday retains its Roman name. It was Saeturnesdaeg to the Anglo-Saxons. It was Laugardagr, washing-day.
The connection is quite obvious, as the Romans looked at all cultures around them and said, this god is this one, and this god is this one. Helios is Sunna, the goddess who pulls the sun. Selena is Mani, Sunna's brother who pulls the moon. Mars is Tyr, who isn't necessarily the god of war, but was seen by the Romans as Mars. Mercury is Odin, because Odin is a god of boundaries and crossroads and passing between, of wisdom and knowledge, of poetry and speech. He's the closest parallel to Mercury. Jupiter is Thor, because Jupiter is the sky and storm and the wielder of the thunderbolt, and Thor is the storm and thunder. And Frigg, we have a direct connection to the planet, as Venus was Friggjarstjarna, Frigg's Star.
Classic Astrology attributes certain aspects to the moving objects and the days they rule.
Mercury is easy. Commerce and communication, thinking and reasoning, knowledge and wisdom. As the god rules these things, so does the planet. As the god moves swiftly, so does the planet. And so Wednesday becomes the day for such activities, both in a mundane sense and a magical sense. In relation to commerce, if we associate Wednesday with a vice, it would be Greed.
Venus is easy as well. Love, sex, fertility, romance, relationships, beauty, pleasure. Once again, as the goddess rules these things, so does the planet, and this translates in classic thought and much of Western magic to Friday. Of the "Seven Vices", Friday is Lust in this way.
Mars is a bit less obvious. It's seen as a day for force and protection, courage and aggression, productivity and determination, and the like. The aspects related to war, not normally war itself. The connection from god to planet to seeing Tuesday as this is obvious. Tuesday is Wrath.
Jupiter diverges a more from what's seen as the realm of the god. It is related to big undertakings. Looking carefully, we can see this. Jupiter never did anything half way. He was showy and extravagant. Any action was a big action. The planet fits this well, being the largest planet. Thursday is the day ascribed to this, and is Pride.
Saturn is seen as the start of slower, long-term things, things requiring patience and perseverance, things you can't rush. From the planet, this is easy to see, as it is the slowest moving of the seven. For the god, this is seen in imagery of him with his legs bound except during the festival of Saturnalia. He bides his time throughout the year until the time for his release. We also see his consorts. Ops, as the building of wealth takes time. Lua, as time and waiting wears things down, leading to destruction. This is then ascribed to Saturday. It's interesting that in much of the Western world, Saturday is a day of no work, and that it is the Sabbath in Jewish practice, a day of rest. Saturday would be Sloth if it was one of the Seven Vices.
The Moon is seen in relation to emotions and dreams, female cycles and changes, and to domestic activities. This is of course related to the tides that change with the moon, the change of the moon itself through its cycle, and the menstrual cycle, which is typically 28 days just as the moon's is. This of course is the reason for the association of matriarchy and the feminine with lunar cults. Because of the similar cycle, the association between the moon and these areas is common through much of the world. Most moon goddesses have direct connection to these same areas, and Monday is seen as connected to them.
The Sun is seen as anything involving gaining influence over things. The sun brings forth life from the ground in the form of plants, and is the main influence on life on earth. Helios was very handsome and had a lot of influence on everyone because of his looks. Sunday is seen as this day. It's interesting to observe that Christianity sees Christ rising on Sunday, and that that is the day many dress up, as though they are attempting to impress God/Christ. I would associate it with envy, for it's a day to gain influence to get something we don't have.
I included the Seven Vices because they stuck out to me on several of the descriptions I was writing. Moon and Gluttony are left, but I don't think they relate. The Vices are a side point anyway.
The idea the planets could be associated with the seven days, gave rise to further division. The day is seen as divided into two parts, the day and the night, Dawn to Dusk and Dusk to Dawn. Remember that the planets are children of the Dusk and the Dawn. The year is divided into twelve months (twelve moons, but the year is really closer to thirteen moons), relating to the twelve signs of the Zodiac. Likewise the day and the night were divided into twelve hours. The planets are mapped onto these, progressing from Saturn to Jupiter to Mars to the Sun to Venus to Mercury to the Moon. This was seen as the distance from earth, with Saturn farthest and the Moon closest. This rotates though, using the day as the first. It could be seen in reverse, of the hours giving the order of the days.
So, Sunday starts at Dawn with the hour of the sun, progressing to the end of the hour of Saturn at Dusk, then the night starting with the hour of Jupiter and progressing to the hour of Mercury ending at Dawn.
Monday starts at Dawn with the hour of the moon, progressing to the end of the hour of the sun at Dusk, then the night starting with the hour of Venus and progressing to the hour of Jupiter ending at Dawn.
And so on.
These hours are seen as having the same aspects I described above for the days. Each day (dawn to dusk) ends with the hour of the day before.
As I said, many people use these in magical workings, beginning workings or rituals or rites on an hour that relates to the purpose of the working, and on a day that relates. These are combined when possible, either using the same planet's day and hour, or a different planet for the day and the year to combine the aspects. This is likewise, when possible, combined with Zodiac signs, and the planets that rule them.
This has of course been used this way for a long time, and there is obviously power in it, or it would have been dropped. Magic workers tend to be very pragmatic. If it doesn't work, it doesn't survive. Add to this that repetition adds power, so the more they are used, the more effective they will become. The question, of course, is why were the days laid out in that order to begin with, an order that works perfectly with the progression of the hours. The answer to that will give the origin of the power found in the practice. I don't know the answer.
Back to Grimr, the main principle is observation. I can observe that the system described above works, but I can't see the layout of it from observation at this point. The planets don't rise and set based on that layout. As such, I don't use this system in my practice.
But I can observe the visibility of the planets, and I've found that which planets are visible do change the flavour of the energy I work with. Their effects are weaker than the sun and moon, and less constant than the stars. They create tides, both physically due to gravity, and spiritually in the energies around us. The Sun is large and pulls strong. The Moon is close and has more direct effect. But the Wanderers do pull, and they change the energy tides as they move. They should not be ignored. The stars are even weaker, but they are more constant, progressing slower, over millennia.
And these tides, the solar and lunar tides, the tides of the Wanderers, the stellar tides, all these tides and the Winds they bring, effect our lives in very real ways, they bind and loose the Threads of Fate, weaving as they go. This can be used to create change, to step out of the direct effects of their tides. The momentum they create can be used to strengthen and increase the effect of small changes we create. An object in motion tends to stay in motion unless acted upon by an outside force. It's easier to create change if you work with the tides than against them.
This is a principle that can be observed. And can be applied.
FFF,
~Muninn's Kiss
Monday, 4 February 2013
The Fire Festivals: Stellar movements and the cross-quarter days
As we're now in the time of the year of the Bride, having just passed her day and Candlemas, it's interesting to take a look at the days modern pagans and many witches consider holy days, especially the cross-quarters, Samhain, Bride's Day, Beltaine, and Lugh's Day. Much is made of Samhain and Beltaine, less of Bride's Day and Lugh's Day, as many modern pagans aren't quite sure what to do with them.
I'd like to go back to a discussion I started in my Year in Review post, about the timing of these four days. These days fall roughly half way between the solstices and equinoxes, and while those are fairly easily observed, based on the length of the day and year, the cross quarters are not as easy, as they don't fall at a time the solar cycle would lend easy measurements, and the lunar cycles don't line up right to designate them every year. Yet they seem to have been more important among what care called Celtic people than the ones easily measured by the sun. This would imply something significant marking them, not a measuring from the solar points. So, if not solar, and not lunar, yet marked by a sign, where do we look?
The answer lies in part of my discussion in the fore-mentioned post. "Aldebaran is the brightest star in Taurus, the Bull, and becomes visible in the Northern Hemisphere around Samhain, sinking again around Beltaine, being highest around Bride's Day." "Regulus is the brightest star in Leo, the Lion, and becomes most visible in the Northern Hemisphere around Bride's Day, and disappears around Lugh's Day, being highest around Beltaine."
So, Samhain comes when Aldebaran and Taurus rise. Bride's Day comes when Regulus and Leo rise, and Aldebaran and Taurus are at their height. Beltaine comes when Regulus and Leo hits it's height, and Aldebaran and Taurus sink. Lugh's Day comes when Regulus and Leo sink.
We can look further. Just before Leo is at it's height and Taurus is sinking, Scorpio is rising. Antares is the bright star, and can be considered as opposite Taurus' Aldebaran. It doesn't rise as high as the others, but is significant. It sets after Lugh's Day. When Leo is sinking around Lugh's Day, Aquarius and its neighbours are rising. Though not in Aquarius, the brightest star in the area of the sky is Fomalhaut, in Piscis Austrinus.
Not exact, but we see the rise of Aldebaran and Taurus at Samhain, the rise of Regulus and Leo at Bride's Day, the rise of Antares and Scorpio at Beltaine, and the rise of Fomalhaut and Aquarius at Lugh's Day. It's important to note that these four stars were considered the Royal Stars in Persia, the Watchers, Regulus watching in the North, Aldebaran in the East, Fomalhaut in the South, and Antares in the West.
These four holy days are seen as sun festivals, but they seem to be more stellar than solar. Unless, of course, their celebration started far enough back to show a large enough shift to account for this. The Zodiac, and these four star with them, move completely around in relation to earth every 25,920 years or so, the Platonic Year, or the Great Year. Considering the current twelve signs, this means it shifts a complete constellation about every 2200 years give or take 100. It wobbles in relation to the stars over this, which accounts for the Antares and Fomalhaut anomalies from the four holy days. As the wobble occurs, some constellations are lower, so rising and sinking points change.
The cycle moves backwards from the annual seasons, so the Spring Equinox occurs a bit earlier in the zodiac each year, and every 2000 years or so, a full sign. It currently sits in Pisces, almost to Aquarius when compared to the stars (at the border between Ares and Pisces in traditional Western astrology, for most western Astrology cares about the position of the sun in the sky rather than the exact location against the stars). This is where the discussion of the Age of Pisces and the upcoming Age of Aquarius come from.
The Winter Solstice, which is more interesting for this discussion, occurs in Sagittarius currently, not on the border of Sagittarius and Capricorn. Over time, it will move further, into Scorpio. This means that Antares is moving toward the Winter Solstice, and was once at the Autumn Equinox. And before that at Lugh's Day, and before that as the Summer Solstice. In the last 25,920 days, it's moved full circle back through the year.
This begs the question, when these four days were first observed but the people who would become called as Celts, where were these four stars, and what part of the year did they celebrate? Samhain was a time of death and ending, Beltaine a time of birth and beginning. It seems likely Samhain started out as a Winter Solstice celebration and Beltaine as a Summer Solstice celebration, just as Midsummer and Yule were celebrated by the Germanic people. If this is so, the Germanic people marked it solarly, so it stayed at the Solstice, but the Celtic people marked it stellarly, causing a shift. This would imply a beginning of the celebration around 23,000 years ago, or 48,000, or so on.
It also points to a stellar basis for religious and ritual use, something many archaeological investigations of things like the stone circles in the British Isles, the recent find up in the Orkneys, and other sites are also pointing to.
FFF,
~Muninn's Kiss
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Tuesday, 1 January 2013
2012 Myth Cycle: Year in Review
יד וַיֹּאמֶר אֱלֹהִים יְהִי מְאֹרֹת בִּרְקִיעַ הַשָּׁמַיִם לְהַבְדִּיל בֵּין הַיּוֹם וּבֵין הַלָּיְלָה וְהָיוּ לְאֹתֹת וּלְמוֹעֲדִים וּלְיָמִים וְשָׁנִיםטו וְהָיוּ לִמְאוֹרֹת בִּרְקִיעַ הַשָּׁמַיִם לְהָאִיר עַל-הָאָרֶץ וַיְהִי-כֵן
14 And God said: 'Let there be lights in the firmament of the heaven to divide the day from the night; and let them be for signs, and for seasons, and for days and years;
15 and let them be for lights in the firmament of the heaven to give light upon the earth.' And it was so.
The year passes, day by day, week by week, month by month. Tides come in, tides go out. Moons move to full and back to dark. Time passes.
According to the current Gregorian Calendar, today is the first of the year, but as I've said many times, different cultures each have their own new year. This year, the Chinese New Year lands on February 10th. Depending on the purpose, September 4th, January 25th, or March 12th can be considered the beginning of the new year this coming year in the Jewish calendar. In the Islamic calendar, it begins November 3rd this coming year. Some cultures begin the year on Samhain or Beltaine, or on one of the Equinoxes or Solstices. We celebrate it on January 1st in most of the Western world because of the use of the Gregorian calendar which is based on the Julian calendar, since January 1st, the Feast of Janus, was the Roman new year. It should be noted that January 1st is the 8th day from Christmas (including both end points), so is seen as the day Christ was circumcised based on a December 25th birth. However, Christmas was likely originally a Solstice celebration, December 25th being the original date given to the Solstice, before shifting moved it roughly four days back. This would make January 1st, the Feast of Janus, the eighth day from the Solstice, so properly December 28th or 29th depending on the day. We still celebrate the Feast of Janus, if you look carefully. Janus is the two faced god, one looking back, the other forward, just as we do, celebrating what happened in the last year and making resolutions for the coming year.
Much of the pagan and occult community celebrates the eight (or nine) Knots of the year, the eight Fire Festivals, or whatever name each uses, sometimes poetically called the Wheel of the Year. These are Bride's Day/Candlemas/Imbolc, the Spring Equinox/Ostara, May Day/Roodmas/Beltane, the Summer Solstice/Midsummer/Feast of John the Baptist/Litha, Lugh's Day/Lughnasadh/Lammas/August Eve/Feast of Augustus/Feast of Sofia, the Autumn Equinox/Michaelmas/Mabon, All Saint's Day/All Soul's Day/Hallowe'en/Samhain, and the Winter Solstice/Midwinter/Chistmas/Yule.
I don't always celebrate these, but I note their passing, or, more accurately, the passing of their Tides, as these are the high tides of energy cycles throughout the year. The Tides don't always fall on those specific days. This is because those days are pinpointed by the solar year, the solstices being the most northern and most southern movements of the sun through the sky or the shortest and longest day or night, the equinoxes being the days when day and night are equal in length, and the other four the midpoints between. But the Tides are not solar, and they aren't lunar. If they were solar, the cross-quarters (Bride's Day, Beltaine, Lugh's Day, and Samhain) would have no significance. If they were lunar, there would be thirteen, not eight. Even the months, despite the origin of the name, aren't lunar in Western calendars, for there are roughly 13 moons, but only twelve months, and originally only ten (you'll note the names January, Janus, February, Februum, March, Mars, April, Aperire, May, Maia, June, Juno, September, Seven, October, Eight, November, Nine, and December, Ten). Neither twelve nor ten fit the moons. But twelve does fit the Zodiac, which is of course stellar, not solar or lunar. Libra was added late, with 11 constellations in the Zodiac before that, maybe ten previously at some point. You'll also notice that the moon occults Aldebaran around the Autumn Equinox in the Southern Hemisphere. Aldebaran is the brightest star in Taurus, the Bull, and becomes visible in the Northern Hemisphere around Samhain, sinking again around Beltaine, being highest around Bride's Day. Regulus is often occulted by the moon around the Summer Solstice. Regulus is the brightest star in Leo, the Lion, and becomes most visible in the Northern Hemisphere around Bride's Day, and disappears around Lugh's Day, being highest around Beltaine. Antares can be occulted by the moon during any month. It is the brightest star in Scorpio, the Scorpion, and is roughly visible from around the spring equinox to the autumn equinox, highest closest to the summer solstice. There are other stars that point to various other of the eight Knots, but I'll leave that for a later post.
I note the passing of the Tides, and often how the solar cycles, lunar cycles, and stellar cycles land, sometimes celebrating or doing a working, sometimes just noting them. But in noting them, I often find poetry and myth can capture the essence of the Tides.
The following are my ritual poems for the major Tides over the last year, from Samhain to Samhain, showing a cycle I saw grow up throughout the year. Each poem fed the next and the next, creating a myth cycle. The dates given are the most common modern dates, or there about. Each actually spreads over three days, but the Tides of each grow before that date and fade after, and reach High Tide at different times in different places, and are also influenced by the shorter Tides of the moon and longer Tides of the sun, so the dates given are for reference only, to make the cycle more clear. The names of the Tides given are not necessarily the names everyone uses, but the ones I most commonly use in my practice.
(The Year Draws Nigh - Samhain 10/31/2011)
As darkness fall, the veil thin,
The year is drawing nigh.
Shadows lengthen, gather strength,
The year is drawing nigh.
The dead they stir, and look around,
The year is drawing nigh.
Tonight they walk, tonight they dine,
The year is drawing nigh.
The sinks down, she’s dying now,
The year is drawing nigh.
Beneath the hills, the dying sun,
The year is drawing nigh.
Hollow hills, they open wide,
The year is drawing nigh.
Faerie folk, the mighty dead,
The year is drawing nigh.
Samhain’s fires, burning bright,
The year is drawing nigh.
To dance around, in death’s embrace,
The year is drawing nigh.
Ancestors dead, some long gone,
The year is drawing nigh.
We tip a glass, we place a plate,
The year is drawing nigh.
Death stands up, tonight he reigns,
The year is drawing nigh.
In darkness strong, the dying year,
The year is drawing nigh.
The revelers grow deathly quiet,
The year is drawing nigh.
All knees bend and all tongue stilled,
The year is drawing nigh.
For Death takes all and all will come,
The year is drawing nigh.
The Gates of Death, they open wide,
The year is drawing nigh.
His face you meet, at Death’s great doors,
The year is drawing nigh.
A friend, a judge, a lover, a blade,
The year is drawing nigh.
His embrace is sweet, but deathly cold,
The year is drawing nigh.
In love he strips you, bone from bone,
The year is drawing nigh.
Nothing left, you pass beyond,
The year is drawing nigh.
The veil it parts, the doors swing wide,
The year is drawing nigh.
Your last strong breath, last orgasm,
The year is drawing nigh.
And through you go, to what’s beyond,
The year is drawing nigh.
But Death’s great doors and Life’s fair doors,
The year is drawing nigh.
What’s dead and gone, will be reborn,
The year is drawing nigh.
A new breath breathed, a new day dawns,
The year is drawing nigh.
Death to Life, he takes your hand,
The year is drawing nigh.
All is gone, but all in new,
The year is drawing nigh.
The new dawn’s sun, in the east,
The year is drawing nigh.
The cold it flees, the shadows hide,
The year is drawing nigh.
Dark Samhain’s night to new year’s light,
The year is drawing nigh.
What was dead has come again.
(The Throne of Bone - Winter Solstice 12/22/2011)
Darkest night and shortest day,
Shadows reign and darkness calls,
The shadowy figure of Death stands by,
Patiently waiting for all to fall.
Each child born will surly die,
None is spared and all know why,
At Death’s bone throne each one will come,
He needn’t search for all will come.
The sun sets earlier for half the year,
Night grows longer, shadows strive,
The year he ages as do all,
Growing weaker, growing frail.
The time draws near when he will die,
The year we’ve loved so hard to watch,
The mourners all do gather round,
For letting go is the hardest task.
With the sun, the year does set,
Sinking down into the grave,
Like each man, he bows his knee,
And presents himself at the throne of bone.
In his birth we knew he’d die,
For every beginning contains the end,
We watched him grow like a new born lamb,
We watch him die at the Slaughterer’s hand.
Every beginning has it’s end,
But every ending is born again,
With Dawn’s first light like the Morning Star,
The new year rises and live once more.
Fresh and hopeful, full of life,
The year reborn begins his flight,
We watch him stretch and try his wings,
We glory that he lives again.
Forgetting the grief and sorrow past,
We pretend he didn’t see Death’s own face,
With the new year, we fly away,
Trying to forget our own mortality.
(The Call - Bride's Day 2/1/2012)
As the metal hare settles to sleep,
The water dragon stretches and stirs,
The world serpent around the world,
A curled serpent in a cave,
Slowly stirring, his coils spread,
In the underworld he's made his nest,
And waited through the coldest time,
Darkling serpent, shining snake,
His head he raises and starts to move,
Crawling forth on fair Bride's day,
Up the Well of Worlds he comes,
Across the Veil from world to world,
He hears the call of a thousand flames,
Candles lit and fires bright,
The heat, the light, it calls him forth,
Through deepest dark and waters cold,
Up he crawls, reborn from death,
Cthonic darkling, to worlds above,
Ravens dance the dance of death,
And flames the flicker, the spark of life,
The Bride she calls, the serpent comes,
Reborn and new, the strange Horned Child,
And a ring around the moon.
(Reborn from Down Below - Spring Equinox 3/20/2012)
Two months he swam,
Up through the well,
His scales flashing in the dark.
Twisting, turning,
Swimming, soaring,
Through the Veil of Worlds.
Into the light,
He pokes his head,
Sun flashing of his scales.
Reborn at least,
After Winter's grave,
Reborn from down below.
Two months ago,
He heard the call,
His Bride invoked his name.
And now he rises,
From the grave,
To live and love again.
Heat of sun,
In Spring's cold wind,
Coiled on a rock.
Prepare he does,
For May's fine feast,
And Marriage to his Bride.
(The Risen Lord and Laughing Queen - Beltaine 5/1/2012)
The wakened sleeper clothed in gold,
Warmed with Spring and rising sun,
Draped in green and newborn leaf,
Who once had died but rose again.
Golden scales and raven hair,
Skin of blue and feathers fair,
Who began a journey by candler's flame,
And rose in glory in first leaf's show.
In comes his Bride the fair Corn Maid,
Whose blackened veil now glowing white,
Grass stains on her small bare feet,
And bloodied sword upon her back.
The dancers dance and singers sing,
Risen lord and laughing queen,
The snow has melted and green grows strong,
Winter then Spring give way to sun.
Veil of white over golden hair,
A cotton dress with playful tears,
Small feet dance as if on air,
She laughs in joy at his peacock flair.
Round they spin just like the year,
Celebrating life and new found love,
Love reborn from past the grave,
Youth and Maiden, lust and joy.
The time has come to start again,
A marriage feast and strong bond hands,
New life, new love, all is born,
Eternal love, past Death's cold hand.
Around the pole the ribbons fly,
Dancing round in lustful fun,
In honor to the fair Corn Maid,
And Peacock Lord reborn again.
(From Blessed Womb and Serpent's Seed - Summer Solstice 6/20/2012)
Summer's heat has come again,
And with it a growing womb.
The union formed of May's young flowers,
Begins to start to show.
The risen lord's seed runs strong,
The laughing queen was ripe.
In summer's heat, her sweat is sweat,
The warmth that forms within.
She smiles sweetly in Solstice sun,
Spring's rain fades away.
The white veil gone, her golden hair,
Darkens to chestnut brown.
New moon's time, a darkened moon,
A bonfire burning high.
The dancers dance, round and round,
A fever burning high.
The Horned King sits close by her side,
His smile as big as hers.
The summer sun it rises bright,
Round like her growing womb.
The moon moves on and starts to grow,
Just like her unborn Child.
Summer's heat has come again,
And with it a growing womb.
The womb will grow to harvest time,
The Child that will be born.
From blessed womb and serpent's seed,
The Mother of all life.
(A Child of Blood - Lugh's Day 7/30/2012)
A child is born,
A child is given,
On the feast in fair Lugh's name.
A child of light,
A child of blood,
A Horned Child is given birth.
Well of the Womb,
Water and darkness,
Born into the bright light of day.
Shining fair,
A Hunter born,
Of starlight and mystic earth.
Hunter and hunted,
Herder and rancher,
An animal both wild and free.
Born for the sword,
Born for the bow,
Born to be the Winged Serpent's death.
A child is born,
A child is given,
On the feast in fair Lugh's name.
A child of light,
A child of blood,
A Horned Child is given birth.
(A Mortal Wound - Autumn Equinox 9/22/2012)
The Horned Child rises ever strong,
Like a mighty angel with a sword of steel,
He ventures forth in search of prey,
Looking for a Serpent with feathered wings,
He finds him then, near end of life,
The Winged Serpent weak, while the Child is strong,
He stalks his prey desiring the kill,
He takes his time for the hour is nigh,
In the early snow, he finds the trail,
The autumn's chill soon slows the snake,
The Child approached, so full of faith,
Of how this will end, of what's at stake,
He raises his sword and makes the blow,
A mortal wound that can't be healed,
But the time is short, and has not come,
The Wounded Serpent does get away,
The Child was wrong, the death wasn't sure,
But he trudges one, still on the trail.
(The Hunter's Lamb - Samhain 10/31/2012)
On a black altar on All Soul's Night,
The Wounded Serpent makes last call,
He will not go down without a fight,
But he knows not enough will be hid all,
He howls defiance to the coming night,
But the Gates are open, he can hear the call,
The Horned Child pauses, about to strike,
He wants this death, he wants this fight,
A raised high sword, like a lightning flash,
But he's still too slow for he missed the point,
A female figure all dressed in black,
A blood red veil, and a living knife,
With one fell slash, she takes a life,
Who was once her groom, now a sacrifice,
Blue blood runs from the Serpent's throat,
His time is down, it is time to rest,
And with a knife still wet and a heavy heart,
She takes the arm of the fair Horned Child,
She leads him off to be the light,
Through winter's darkness and the coldest night,
And the Serpent rests far beneath the Well,
A fitful slumber of dreams of spring,
He'll awake again, and swim the Well,
A groom once more to a fickle Bride,
But for now in darkness that is but a dream,
With the Horned Child the victor upon the throne,
Through winter's blanket and the barren land,
The Lord of Beasts and the Hunter's Lamb.
FFF,
~Muninn's Kiss
Sunday, 16 October 2011
Observation and Calculation: Laziness and the passage of time
There are certain feasts and festivals that are considered "movable" in Christianity. Easter is the most well known by the general public outside the churches. But Easter is only movable because of laziness and an insistence on defining lunar feasts based a solar calendar. As we talked about around that time earlier this year, Easter started out as the Sunday after Passover. Passover is fixed, but obviously to the Hebrew calendar, not the Julian or Gregorian. Passover is *always* the week of the 15th through 22nd of Nissan, which is sundown on the third Friday of Nissan until sundown of the next Friday. So Easter was always 24th of Nissan. But non-Jewish Christians didn't observe the moon, so they had to ask a Jew when it would occur, and, as relations got more and more strained between the two religions, the Christians wanted to know it themselves. So they figured out a calculation, so they wouldn't have to observe. And they did it based on a solar date, the equinox, and even that was set on the calendar by then, not observed.
Both the Hebrew and the Islamic calendar are based on observation and lunar cycles, not calculation and solar cycles. The Jewish months aren't set, nor are the Islamic. The Romans said, this month is this long and this month is this long. The lengths are arbritary, not based on anything in nature. Hence Julius Caesar was able to steal a day from February and put it in the month he renamed after himself, and Augustus did likewise. But the Jewish months are based on observation and not arbitrary. When the moon disappears from the final crescent into the dark of the moon, the new month starts. And the Islamic, when the moon reappears after the new moon, in the first crescent. But this varies. First of all, because the moon isn't tied to the solar days. Some lunar months are 29 days and some 30 days, or some people say 28 or 31, it's hard since the new moon doesn't last only one day, just as the Solstice is hard because there are three days real close. So the length of the months are different from each other and based on observation, not the same, and not arbitrary. The length of each month are pretty close to the same each year, day wise, but this isn't guarantied. Even if it drifts, the Hebrew and Islamic calendar will still be consistant, because the exact length of each month doesn't matter and won't mess up other calculations.
And even the "Law" of Gravity doesn't give the whole picture. Even Newton saw that Mercury osculated in a way the Law couldn't account for, be he couldn't find a solution and no one else could, so they just kind of ignored it until Einstein looked at it and started from scratch and came up with the Specific Theory of Relativity, which he later expanded. The point is that *everything* effects everything else, so the universe and nature is far too complex to calculate.
So calculation will only give averages, not specifics. To really know the cycles, it takes observation. In Genesis, G-d says, "Let there be lights in the firmament of the heaven to divide the day from the night; and let them be for signs, and for seasons, and for days and years; and let them be for lights in the firmament of the heaven to give light upon the earth." They are signs. A sign is meaningless if it isn't observed. The seasons, the days, and the years, are seen watching these signs, not calculated with an easy formula. If the earth took an extra day to make it around the sun, or the moon an extra day to make it around the earth, how many people would even notice? And if we noticed, would it be when it happened, or afterwards when the calculations start failing? Would we change the calendar, or just pretend it didn't happen? And if we changed it, would we just change the calculation and hope it happened again the next year, or watch and wait and observe and see what happens?
Do we as a modern people notice the signs and omens around us every day?
FFF,
~Muninn's Kiss
Labels:
calculation,
calendars,
islam,
judaism,
laziness,
lunar,
moon,
observation,
solar,
stars,
sun
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